Agencies and studios
Twelve clients, twelve product ranges, one of you.
Small clients cannot fund a photographer and still expect creative every month. Photograph their samples once and produce the variants in-house.
Sized and staged for Shopify · Instagram · Meta Ads
Every agency serving small brands hits the same wall. The retainer covers strategy, copy and media buying. It does not cover a photographer, and the client does not have one either — so the creative gets built from whatever images they already own, which are usually three photographs taken by the founder in 2021.
You can either decline the work, absorb a photography cost that eats the margin, or produce campaigns from bad source material and watch them underperform. None of those is a good answer, and all three are common.
Why your photos are costing you sales
The volume problem compounds it. A single client testing paid social needs eight to twelve creatives a month, and you have twelve clients. That is a photography operation, not a line item, and it is why most small agencies quietly cap how much performance work they take on.
Meanwhile the client's existing images are inconsistent with each other, so even the good ones cannot be used together in a carousel.
The scenes that suit your work
A handful chosen for what you sell, out of the full library.
It has to still be your item
Client work is organised per project, so one account's samples, generations and galleries stay separate from another's. The billing is per credit rather than per seat, which means a heavy month for one client does not become a subscription decision.
The product itself is unchanged: their actual samples, restaged. You are not inventing a product for a client, which is the version of this that gets an agency into trouble.
- Per-project separation, so client work never mixes
- A month of ad creative from one sample photograph
- Take on performance clients you would otherwise decline
- Charge for creative production without carrying a photographer
Three steps, about a minute
01
Upload your photos
Two or three angles on a phone is plenty. We cut the background automatically.
02
Pick your scenes
Tick as many as you like from 56 staged settings, or describe your own.
03
Get your shots
They arrive together in your gallery, ready to download for a listing or a post.
Questions people ask before they sign up
- Can I keep client work separate?
- Projects exist for exactly that. Each client gets its own, with its own items, generations and gallery.
- How does billing work across several clients?
- Credits are account-wide rather than per seat, so you buy what the month needs. Purchased credits never expire, which suits uneven client demand.
- Do I need the client to send physical samples?
- Yes — the whole method restages a photograph of a real item. In practice most clients will happily post you one product.
- Can I white-label the output?
- The images carry no marking on any paid plan. What you deliver is a photograph of your client's product.
Written for your trade
Practical pieces about photographing what you sell, rather than general advice about cameras.
Charging for creative production when the cost drops
If a set of product images now takes an afternoon instead of a studio day, the honest question is whether you bill for the afternoon or for the outcome.
3 minute read
A month of creative from one product sample
The client couriers over one unit and expects a content calendar. Booking a studio for that is neither proportionate nor, usually, in the budget.
3 minute read
Keeping client work separate
Three accounts, one team, one shared drive. The way a client finds out their competitor is also your client should not be an image in the wrong folder.
3 minute read
Also sells like you
Twelve clients, twelve product ranges, one of you.
Start with 3 free images. No card, no account.
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